What are Alien, Star Wars, Jurassic Park and so on really about? Iranian film critic Majid Shah-Hosseini has the answer:
Hollywood in the 1980’s was suddenly filled with monster movies, which were great blockbusters. Some of these monsters looked like aliens from outer space, others emerged from the bowels of the earth, and yet others came from prehistoric or mythical times to threaten modern mankind. At any rate, they were monsters. […]
In some cases, the message was so tangible that the viewer himself might unconsciously reach the conclusion that the prehistoric monster might be the embodiment of Islam, and that the monster underwent metamorphosis in modern times, and now threatens the very foundations of modernity.
These monsters would typically break free of the control of the normative system, and would behave in a very destructive manner. Whenever the monster would assume a more complex form, such as in Alien, it would break out of ancient eggs, which were released all over the galaxy several millennia ago. It would attack the American astronauts in the head, penetrate their minds, and nest within their bellies, and from there it would break out. During this painful delivery, it would kill the host who was contaminated by it. It was highly contagious, and would spread from one person to another. Some of these monsters had green blood, as a symbol [of Islam]. Sometimes, even this green blood itself was dangerous. […]
Another thing happened in the field of historical films, which should serve as a warning sign to us, and I think Iranian society has let it go by much too easily. I am referring to the film Alexander, produced by Mr. Oliver Stone. In this movie, for the first time, America’s rule of hegemony presented on screen its greatest wish – the conquest and occupation of Iran.
I blame Edward Said.