There’s been considerable commentary on the death of Derrida – this from Johann Hari being the latest contribution.
One of the better books I’ve read on the subject of deconstructionism is David Lehman’s “Signs of the Times”. He concentrates mainly on the case of Paul de Man, the Yale post-modernist guru who was revealed after his death to have written anti-semitic articles for a collaborationist journal in his native Belgium. One of Lehman’s points is that a post-modern denial of the possibility of objective truth would be an excellent emollient for an uneasy conscience. If words are just signs which only attain meaning through their difference from other signs – if there is nothing outside the text – then writing is removed from the range of activities which might have consequences, and ultimately from the realm of morality. What I took from this, by extrapolation, was that the whole obscurantist movement in post-war French philosophy, of whom Derrida was perhaps the most famous exemplar, was a wonderfully French way of dealing with post-war guilt.
Yes I know, this is glib in the extreme (and no, I’m not saying each individual thinker had guilty secrets to hide – I realise Derrida was too young, nevermind being Jewish). I still like it though, as at least a partial explanation.
Leave a Reply