A good overview of the Mohammed Al Dura affair (via Solomonia) which lays much of the blame for the outcome of the recent French libel trial on the silence of the Israeli government:
In their judgment last week, the judges argued that Karsenty’s allegations against Enderlin and France 2 could not be credible since “no Israeli authority, neither the army which is nonetheless most affected, nor the Justice [Ministry] have ever accorded the slightest credit to these allegations” regarding the mendacity of the Dura film.
Over the years Israeli officials have justified their silence by saying that it was a losing proposition to reopen the Dura case. We’ll be accused of blaming the victim, they said.
This statement is both cowardly and irresponsible. As the French verdict shows, without an Israeli protest, the protests of private individuals, however substantial, ring hollow. When Israel refuses to defend itself from blood libels, it gives silent license to attacks against Israel and world Jewry in the name of those libels.
In 2000, Barak was desperately trying to close a peace deal with Yasser Arafat. The last thing he wanted was to admit that Arafat was promulgating blood libels against Israel. So he was silent. This is unforgivable, but understandable.
Israel’s continued silence is a sign that Israeli officialdom has still not understood what the war of images demands of it. The Dura film, like the fictional massacre of Lebanese children at Kafr Kana in Lebanon this summer, shows that victory or defeat in wars is today largely determined on television. To win, Israel must go on the offensive and attack untruthful, distorted images that are used to justify the killing of Israelis and Jews throughout the world.
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